The Crown, season 5 already has critical rating | tomatoes

After an intermission of 2 years, The Crown – 90%one of the most prestigious productions in the catalog of Netflixarrives with its fifth season at a time that could not be more opportune: just weeks after the death of the Queen isabel II, an event that naturally paralyzed the entire United Kingdom. Heading into the turbulent ’90s, the series about the British royal family returns with a cast change, with the addition of Imelda Staunton as the Queen isabel II Y elizabeth debicki as the Princess Diana of Wales the most important for the passages that will be portrayed in this installment. The truth is that in the midst of scandals, with tensions on the rise with the appearance of the Al Fayedmedia pressure and a series of separations in the monarchy, the portrait of this historical chapter is one of the most anticipated by all the followers that the series has been reaping over 7 years.

We invite you to read: The Crown 5 already has first reviews

In this penultimate chapter of the series, a new decade rolls on, and the royal family is faced with what is possibly its greatest challenge to date: questioning the role of the monarchy in the United Kingdom of the 1990s. The media war between Diana and Carlos is a threat that could crack the monarchical institution. For her part, Queen Elizabeth II reflects on the political and personal events that shaped her reign on the 40th anniversary of her accession to her throne. In the cast we can find Imelda Staunton, Jonathan Price, elizabeth debicki, Dominic West, Lesley Manville, Olivia-Williams Y Salim Daw.

According to early reviews, this fifth season is the most divisive entry in the saga of Peter Morgan: To a handful of journalists, this is as supreme a quality offering as any of the other seasons, but to others it’s the show’s weakest and most boring run of episodes to date. On the positive spectrum, experts suggest that The Crown is as astute and empathetic as ever, while everything continues to be executed at a very high level, with all the new actors doing a splendid job in their roles (highlights Staunton, debicki Y West) and with Morgan choosing wisely which events to build episodes on. Added to this, the writing of the drama is said to remain its main strength: poetically constructed, symphonically and wrapped in operatic emotions, as well as excelling at showing the painful and moving complexities of love.

At the opposite extreme, there are those who describe this new installment as the show’s weakest outing, feeling generally scattered and unfocused on its goals, as well as being less moving than ever. For critics, the focus on the divorce between the Prince carlos and the Princess Diana has forced the series to slow down and delay: even having such a memorable media scandal with two charismatic and flawed participants, the series has nothing interesting to say about it. As if that were not enough, important media such as Guardian either Variety they describe the cast as cartoonish, with the plot lined with boring speeches and several episodes to spare, where the actual drama has never been less relevant. In the end, it is said that an increase in pace and change in dynamics may help the show find its footing in its final season.

Without further ado, we leave you with the most outstanding reviews of The Crown – 70%:

Also read: Netflix could be planning a prequel to The Crown

Kayleigh Donaldson of TheWrap:

…as representative of the latest incarnation of Keep Calm and Carry On, “The Crown” remains a solid piece of prestige television with a strong and clear take on its tangled theme…

Juan Manuel Freire of The newspaper:

Peter Morgan continues to masterfully ponder the private scenes of public figures and the personal impulses behind the story.

Pere Solá Gimferrer of The vanguard:

The Crown offers one of its weakest seasons. At certain times, it can even be described as boring.

Brian Lowry of Cnn in Spanish:

…the Netflix series is reloaded with prestige new talent in key roles and old problems, but it feels more disjointed than unusual. The result is a lopsided campaign that reinforces the sense that the Emmy-winning series is in danger of extending its reign too long.

Jack Seale of The Guardian:

Its cast is cartoonish, the plot is full of boring speeches, and several episodes could have been scrapped entirely. Royal drama has never been less relevant. The show itself feels like its time has come and gone.

Judy Berman of Time:

More than half of the episodes in the season focus on Charles and Diana, which might sound like complacency if you prefer The Crown in an altruistic historical drama mode. However, Morgan often uses them as a vehicle to do what the show does best: intertwine the lives of the Windsors with stories that take place outside the palace walls.

Adam Bloodworth of City AM:

Season 5 of The Crown is of as supreme a quality as any of the other seasons. Casual viewers may find certain parts a bit slow, certainly compared to season 4, but things are getting serious now. We all know what’s coming in season 6 and if season 5 had one duty, it was to tell Diana’s story properly.

Ben Traver of IndieWire:

Despite the scripts struggling through the details of a very public divorce, the solid design work at every level and the animated renderings of the new set (Lesley Manville is just as good in her criminally truncated time as Princess Margaret ), Season 5 of “The Crown” suffers from a narrow point of view.

emma fraser of The Playlist:

Like the royal family at the heart of the series, “The Crown” has its detractors and supporters, and season five keeps up the melodramatic antics that leave us wanting more.

Angie Han of The Hollywood Reporter:

The show is as cunning and empathetic as ever. One of the most engaging digressions of the season is in the corridors of the BBC…

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The Crown, season 5 already has critical rating | tomatoes