Bomba Estéreo talks about the end of the world and the danger of tours

Make the plea for nature that Stereo Bomb plasma in his new album, ‘Leaves’, quarrel with traveling every week to a different city to give concerts. For this reason, the Colombian group wants to set an example and measure the environmental impact of its tour to reverse it.

“The carbon footprint left by musicians is a lot,” he explains in an interview. Simon Mejia, one of the two members of Bomba Estéreo. “If the whole artistic world, the industry, were to put themselves in that mentality, there would be a great change and we are going to do everything we can to promote that and instill it.”

How do we make the tours to be better planned? So that energy expenditure is less?

In their new album, which preserves the mixture of Caribbean rhythms, cumbia, percussion and electronics from the roots of the Colombian band, they sing to the earth, to nature, to recover the essence. “They sold us the land and turned off the sun”, “we are lost in the middle of the forest watching its extinction”, he sings Liliana Saumet on ‘Tierra’, one of the songs that make up the album, which was released on September 10.

Liliana and Simón managed to meet at the beginning of 2020 with the collaborators of the album and with the Colombian artist Lido Pepper, author of some of the lyrics, at Li’s house in Santa Marta to record him cradled by the mystique of the jungle of the Sierra Nevada.

On the disc weighs the idea of end of the world who tried to deal in a positive way and at the same time address “the disconnection that human beings have with nature and how we are today connected to devices but we lost the most fundamental connection, which is the one we had centuries ago with nature.”

However, just a few weeks later, the pandemic. “We were fortunate to have finished (the album) before the pandemic hit and those ideas that we had before about the end of the world took on more relevance,” says Mejía.

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Environmental defense is an issue that Bomba Estéreo has taken as a banner and for which they have decided to raise their voice, especially because they come from where they come, from Colombia, where the deforestation it haunts the Amazon and the jungles of the Pacific, mining bleeds the land and rivers and is the most dangerous place to defend the environment.

On the album they do not speak openly about these problems, but they do use the sounds of nature to rock Liliana’s voice, with water, air and earth as the blocks into which this new artistic work is divided.

“There was not as much pressure as in the past albums and we were the owners of time, there was no producer with his limited time on top”, asserts the artist.

Now, what anguishes him is that “everything is going back to how it was before when it shouldn’t be”. “It is impossible that after such a strong year we intend to return to the same thing. For me that was not normal; we were living in a total abnormality and that is why the pandemic arrived,” he reflects.

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But it also recognizes that the first rhythms of the new songs came when Simon was traveling in a van around Europe during their last tour in 2019, which is a contradiction: the kilometers of road, the hours of transoceanic flights and the waste generated in festivals collide head-on with those ideas that they wanted to capture on the album.

“How do we do the tours so that they are better planned? So that the energy expenditure is less? So that the festivals design their productions with a lower energy expenditure? “, the composer wonders. That is why they have decided that they are going to measure the carbon footprint as a band in the new tour and those” tons of carbon emitted into the atmosphere then we compensate with conservation projects here in Colombia; It is not the ideal way, but until electric airplanes are invented it is the best we can do, “he concludes.

EFE

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