What was the first Mexican horror movie and what was it about?

La Llorona is considered the first Mexican horror film.

One of the pre-Hispanic myths that continues to this day is the legend of The Llorona. This character was completed during the time of the Cologne (1521-1821).

There are several versions about the origin of this legend, that of a woman who cries for the death of her children, who supposedly, she herself would have drowned in a river. There is a Mexican film named La Llorona, is by Ramón Peón and was recorded in 1933. It explains that the origin of the legend of La Llorona is born with La Malinche, that woman who joined the Spanish, commanded by Hernan Cortesand that was key to the Conquest of Mexico.

And it is that, it is said, once the Conquest was over, the great services of Doña Marine they were forgotten and the defeated race, considering her guilty of their defeat, concentrated all their hatred on her and her son.

Over the years, it has been said that La Llorona hypnotizes, freezes the blood and takes the children to replace the lost ones, being a kind of mixture between a skull with a mummy or a witch with a disfigured woman, with long hair, who floats through the streets shouting her characteristic phrase: “aaaayyyy my sonooooosss”.

the crybaby, film by Ramón Peón, is considered the first Mexican horror film. In addition, it has another feature that makes it stand out, as it helped to reinterpret the myth. It has been said that it comes from the chronicles of Bernal Diaz del Castillo and it is about the relationship between a Spanish gentleman and an indigenous woman.

The film was released in 1933.
The film was released in 1933.

It is also said that its origin can be traced back to before the arrival of the Spanish troops, with the woman murdering her children as a sacrifice. Bernardino de Sahagun cites the omens that preceded the arrival of the European crew, referring to the piercing scream.

the essence of La Llorona maintains its characteristics in each story in theater, radio, comics, and of course, in the film version of Ramón Peón. In the 1933 film, a doctor dismisses the belief in ghosts and paranormal appearances.

The film lasts a total of 73 minutes, stars Ramón Pereda, Virginia Zurí, Adriana Lamar and Carlos Orellana, who narrate the case of Marina. Notably, this was also the first film to be miked in Mexico.

A few years ago, the film was dusted off to be screened at a festival in horror movie

The Cuban Ramón Peón was in charge of carrying it out.
The Cuban Ramón Peón was in charge of carrying it out.

The projected copy belongs to the Archive Voluntary Permanence, in charge of Viviana Garcia-Besne, and was restored with the support of The Academy Film Archive, Fantastic Cinema, the UNAM Film Library, and The Hans Institute. The restoration was intense, since there was only one positive from 16 mm at the UNAM Film Library.

The tape was scanned into the film library and then sent to laboratories in San francisco California. Later, The Academy Film Archive he rescued what he could of the first Mexican and sound horror film.

The director of the film was Cuban Ramon Peonwho was born in Havana, in 1897 and he died in San Juan, Puerto Rico, in 1971. He was a journalist, magician, dancer, musician, producer, director, cameraman, actor and screenwriter.

He started as a cameraman in the old studios Kalem and Vitagraphof New York. By 1920, she was an assistant director at Hollywoodof two short comedies entitled welcome rotarians Y The latest from parell. He then decided to settle in his native country, Cubawhere he became one of the greatest Cuban silent filmmakers, filming between 1920 and 1930 twelve films, the last of them entitled The Virgin of Charity.

He arrived in Mexico in 1931 as an assistant to Anthony Moreno in a movie holy, interpreted by Lupita Tovar. A couple of years later, in 1933, he debuted with the megaphone in the movie La Llorona, and from there he became the most sought-after director in the nascent Mexican film industry.


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What was the first Mexican horror movie and what was it about?