The world of social networks has some peculiarities that we still have a hard time getting used to. Distances and repercussions lose any possible calculation, and a simple publication can reach places that we did not expect.
It is also known that there are some users who often share links with movies, some of which are not supposed to be traveling that circuit. Something like this happened with one of the users who, in order to help many people who had requested him, got the movie Le Petit Fleurdirected by Santiago Miter and released this year, prior to his big movie this year, Argentina, 1985.
The problem arose when one of the producers of both Little Flower and Argentina, 1985saw through his account that this user shared the link of a film that is still touring the festival circuit.
In her response, Agustina Llambi-Campbell clarified that this film will not take long to be available, since this week it is at the SITGES Festival, then it will go to the FAN Neuquén and will soon arrive on different platforms, including Cine.Ar, which is managed by INCAA and has most of its titles free or at very low prices.
This did not seem to be enough for the user, who replied that it seemed to him that sharing works through alternative channels was something that helped to spread the film and that it complements the “traditional” paths well. But the producer was not convinced, and thought that no matter how many euphemisms she used, it was something illegal, so He proceeded to denounce the post on Twitter, which quickly took it down.
Users quickly reacted by supporting the user, although of course it is true that at one point the production company is only doing its job, and that, according to the view of some, it affects the marketing horizons if the film has already been distributed. through alternative channels before it is sold to any platform.
The thread was closed with a comment from the user who wrote: “A few days ago, I uploaded the filmography of Martel and Julieta Laso liked it. Hopefully Lucrecia has seen it and doesn’t believe in the illegality of sharing files over the Internet. You always have to pay attention to which side of the truchos stand your favorite filmmakers are on.” Accompanying this with a famous photo of Bela Tarr, the Hungarian filmmaker, who happily poses with a street vendor of films, which he exhibits, among others, some of those directed by Tarr.
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The publication that made one of the producers of Argentina angry, 1985