In 2009 The orphan – 60% of Jaume Collet-Serra, introduced us to the macabre Esther Colman, an adult woman who, thanks to her appearance as a child, manages to be adopted by an American family, however, as her new relatives discover her truth, Esther is responsible for ruthlessly terrorizing them. Thirteen years later, he arrives The orphan: the origin – 75%which works as a prequel that delves into the dark past of this assassin.
Do not miss: Orphan: First Kill Director Says Prequel Will Be Extremely Violent
The orphan: the origin – 75% It was directed by William Brent Belldirector of tapes like The boy – 27% Y With the devil inside – 6%. They return for this prequel David Leslie Johnson Y alex mace writers of the first film who sign this new script in conjunction with David Coggeshall . The plot focuses on Lena, who manages to escape from the Russian psychiatric hospital in which she is confined and travels to the US posing as the missing daughter of a wealthy family. But her new life as Esther will not be as she expected, and she will face a mother who will protect her family at any cost.
Who also returns for this franchise, is the actress Isabelle Fuhrmannwho played the orphan in the original film, however now that Fuhrman is 25 years old in real life, the production team used camera perspectives, makeup effects and stunt doubles to reconstruct the character’s childlike appearance.
The orphan: the origin – 75% already has the opinions of the press. So far most of the reviews are positive, therefore the film debuts with a positive rating. In general, the press considers that it is a film that fans of the original will like quite a bit and, although this prequel does not manage to reach the quality of The orphan – 60%reveal that it did come quite close by reusing the same formula and elements that fans of the horror genre loved so much.
Some journalists point out that the production really managed to Isabelle Fuhrmann It looked the same as in the first film. There are those who are not so convinced with the work done by the makeup department, arguing that without the help of digital effects it is impossible to make believe that the actress is a girl. On the other hand, beyond Esther’s appearance, critics have reacted very positively to Fuhrman’s performance, who steps back into her character’s skin to deliver a chilling and quite convincing performance. No matter how much time has passed between the first film and this prequel, the actress proves that she is still exceptional in playing this assassin.
Although the plot of The orphan: the origin – 75% is very similar to that of its predecessor, the writers intend to explore new turns and paths to generate suspense in the viewers. The rhythm works perfectly to build good moments of terror and shocking scenes. The public is mistaken in believing that there will be no surprises now that they know Esther’s true identity, as this script presents a new revelation that is just as shocking as the one in the original film.
Some members of the press point out that this is a bloodier and more comical film than The orphan – 60% and although it may be less terrifying, it is enjoyed because of how transgressive and funny it is. The film is aware of its limitations, but takes advantage of them to make something brutal and entertaining that will be everything fans of this franchise have hoped for so many years. The orphan: the origin – 75% It will be released on August 19 in theaters and on the Paramount+ platform.
Here’s more of what the critics are saying about The orphan: the origin – 75%:
James Preston of Poole Discussing Film:
Isabelle Fuhrman shows a whole new side of Esther, one that isn’t softer per se; rather, Esther’s inner morality comes to the fore.
Kat Hughes of The Hollywood News:
A highly satisfying return to Esther’s twisted mind, The Orphan: First Killing is a surefire hit for fans of the original film.
Lena Wilson of TheWrap:
This movie isn’t scary, you can see every death coming from a mile away, but it’s still unarguably horrifying. This transgressive and macabre material is what makes the genre fantastic, and “The Orphan: First Murder” gives its protagonist a final chapter that fits her weirdness.
Laura Potier of Starburst Magazine:
The movie knows its nonsense and is very happy to be here. Deliciously cheesy and a bit silly, it’s a horror comedy that’s hard not to enjoy, even if it doesn’t live up to its predecessor.
Chris Evangelista of slash-film:
Despite its misty appearance, “The Orphan: Origins” is a surprising, fun, and welcome return for everyone’s favorite mini-assassin.
Ed Gonzalez of Slant Magazine:
…the aesthetic clearly has a TV movie quality, which feels like a very distant cousin to Jeff Cutter’s gorgeous wintry compositions for the previous film.
Laura of Reeling Reviews:
Make no mistake, this movie is funny and kitsch. Director William Brent Bell (…) leans into genre tropes (you may find yourself yelling at Anna more than once in (…), but he’s done a commendable job of making Fuhrman younger with practical effects.
M. N. Miller of Ready Steady Cut:
If you look at Bell’s filmography, low-budget, straight-up horror movies, here he repeats the pattern with a standard ending that’s bloody and boring.
The wording of Josh at the Movies:
Those who can get on board with the film’s eccentricities will find a surprisingly brutal, supremely bizarre and captivating slice of horror fun.
Meagan Navarro of Bloody Disgusting:
The prequel wants to switch loyalties and dial in the craziness, leaning into a ’90s thriller vibe. It does better when Stiles and Fuhrman square off…
Continue reading: Story about a psychopathic woman with dwarfism who pretended to be a girl is denied
We would love to say thanks to the writer of this post for this incredible content
The orphan: the origin (Orphan: First Kill), already has critical rating | tomatoes