‘The Matrix Resurrections’, a lot of ambition with too many mistakes

From its first scenes, The Matrix Resurrections by Lana Wachowski makes it clear that time has passed. Not only in the history that is about to tell, but in the validity of its symbolism. The film picks up the radiant and deceptively innocent glow of the latest footage from Matrix: Revolutions and uses them to make something clear. The Matrix Resurrections it is a continuation – formal and in spirit – of what was proposed by the first films. Despite its attempts to function as a standalone premise, the film is overly reliant on the main saga to be so.

The production has a peculiar need to rebuild their mythology from the ground up. And he must do it with a certain conception about his greatness that is sometimes exaggerated. The director and screenwriter is well aware of the scale of her franchise. Also from the fact that The Matrix Resurrections it has the duty to justify its existence.

Why revisit the world of The Matrix when everything was said? After Neo and Trinity’s sacrifice, is there anything to add? The movie forces the premise so that the answer is yes. In fact, there is something painfully soft about this Thomas Anderson (Keanu Reeves), a lonely video game designer. In a California tinted with lively tones and in almost dreamlike settings due to its symmetry, the silence around it seems to have meaning. What about Anderson, uprooted, excluded and lonely? The argument does not say so, but it is clear that the fragile secret that surrounds it is everything. From the long silences, the psychiatric consultations, the blue pills. The character’s mind is a melting pot of information about to explode.

For the script, Anderson is a bridge between the past and the future. But not one with all the firmness it should have to sustain its link to a gigantic context. Of course, the character fulfills the inevitable cycle of the narrator who is committed to uniting all the threads around him. In the same way as in the first movie of The Matrix, Keanu Reeves’ character begins to suspect the duality of reality. But also to baste, perhaps in one of the few ingenious points of the plot, how to understand what happens around him.

When everything returns to the starting point with The Matrix Revolutions

The Matrix Resurrections happens after the matrix Revolutions And, in fact, the script goes to great pains to make it clear that sixty years have passed. Thomas Anderson has recurring nightmares and dreams, with the nagging feeling that “something is wrong with his mind.” Of course, everything this tired and cynical version of the iconic character accomplishes is focused on memory. All of his games are obviously direct references to the plot of the first movies. The script uses the resource to narrate, but wastes it by over-contextualizing.

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‘The Matrix Resurrections’, a lot of ambition with too many mistakes