the american director John McTiernan (Hard to Kill, Predator) gave a talk this Sunday at the Mar del Plata International Film Festival and launched harsh definitions of superhero movies after briefly reviewing his career.
“Men have always graphically represented their time, since the cavemen. They always represented the powerful: kings, pharaohs, etc.”, he explained his vision McTiernan.
He added: “In the mid-’90s the big studios were bought by corporations and they just want to maximize their profits. This didn’t happen before. They stopped making movies about the common man and started doing wizards, superheroes and stuff like that.” type. This is a political action and a counterrevolution that we must not lose sight of”.
In this sense, the director of Hard to Kill and Predator assured that he has 5 projects that he wants to carry out, but that he does not get financing. “I hope I have the health and strength to complete them. I have strong opinions on most issues and I don’t work on movies I don’t respect,” said the 71-year-old director, making it clear that he would not work on superhero movies.
The film that regrets not having filmed
“The only movie I turned down that I regret not making is Brave Heart (braveheart). Mel Gibson didn’t ask me directly, but he did it through his agent. The writer was too cocky and I couldn’t stand it. Later I regretted it because Mel told me that he really wanted me to do it. I was very sorry I didn’t work on that movie,” he recalled. McTiernan.
Review of his career
“I had been asked to do Commando before Predator. I promised the producer that I had previously betrayed that now I was going to make a movie that would make money for him. I really liked the Predator script because it was simple and innocent. From the point of view it wasn’t difficult for him to do well with popcorn,” recalled the American director.
“My style was to copy the Italians like Bertolucci. They were geniuses at showing the narrative voice through the camera. Every film must have a strong narrative voice that is going to affect what we do with the camera. In the first few minutes the audience decide if you are going to trust this person who tells the story,” he explained his process McTiernan.
He added: “I try never to put myself above the audience. I try to feel like one of the spectators and make the camera represent the spectators. For every film that one makes, there are 4 or 5 that are not made.”
Finally, McTiernan He talked about the directors who most marked him and influenced his career. “I have to mention two: John Ford and Stanley Kubrick. Ford for the morality with which he educated two generations of young men in decency and how to treat women; and Kubrick because he is the Beethoven of cinema” , he concluded.
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The director of Duro de Matar joined the criticism and struck down the superhero cinema