‘Being the Ricardos’: this Aaron Sorkin biopic is unlike anything you’ve seen before

Being the Ricardos Aaron Sorkin’s is ambitious. Also smart, lively and well built. So much so that the question of what is actually what want to say Sorkin, as director and screenwriter. There is a vital and resplendent speed in the argument. But also a gloomy lucidity.

As if underneath all the brilliance, the historical re-creation and the script’s tenacity to remain solid there was an underlying message. After all, this is a biopic that does not pretend to be. A story about famous people with more complex intentions than telling their amazing and often unlikely lives. And that is perhaps the point that completely separates it from the genre and turns it into something much more dense and complex than one might suppose.

This has been the year of the great biopics with a certain sense of reverence. From King Richard from Reinaldo Marcus Green to Spencer by Pablo Larraín when we have the information. 2021 showed a display of the desire of filmmakers and screenwriters for carefully explore the bright and dark spots of recognized figures. Aaron Sorkin walks away from it in Being the Ricardos and finds an ambiguous and well-posed point about humanity behind the glow.

Being the Ricardos and the darkness of the stars

That’s when Being the Ricardos finds its best moments, as well as a singular plot independence. The film emphasizes this rarity – both in its approach and in its point of view – and triumphs in its ability to show small dimensions of the same thing.

It achieves this thanks to the benefits of an insightful and intuitive cast. Nicole Kidman as Lucille Ball has an eloquent and vibrant need to break away from myth to create a woman with her face. Of course, the characterization helps, but it’s really the actress’s way of understanding Ball that sustains the premise. The script, which recounts an especially tough week in the star’s life, uses Kidman’s performance to create the feeling of low-key secrecy. The woman on screen is Lucille Ball (or at least, as Hollywood reimagines her), but she is also an enigma. And it is that sense of two dimensions of ambiguous condition about the radiant and the private that makes the argument more consistent.

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‘Being the Ricardos’: this Aaron Sorkin biopic is unlike anything you’ve seen before