Yet he finds solace in other assholes both literal and metaphorical, the latest of which includes Marcia Gay Harden’s Claire, a wealthy but difficult client who sells her apartment after her own husband runs away with a younger woman. . Harden is fun in the role, though it’s admittedly infuriating to cast such a gay icon (it’s in his name!) as a funny conservative woman who doesn’t care about pronouns.
That said, the series can’t escape the Darren Star-ness of it all, pausing only slightly to nod at the ostentatious privilege our characters engage in before reveling in it uncritically. . Frankly, it’s hard to feel too sorry for Michael’s stealthy attempts to re-enter the dating scene when A) connections are easy and airy to him over the course of eight episodes of the first season, and B) his biggest worries Material questions are whether he will be able to afford to buy Colin’s half of their ornate and well-furnished Manhattan apartment. Yes, it’s a blow to see the love of your life leave you after half of your life together. But the show doesn’t do much to establish what they saw in each other in the first place, which makes Michael’s obsessions throughout the season about whether Colin sees someone. else feel like a waste of time.
The supporting cast does a lot with a little, rendering finely sketched archetypes with just enough life to support their respective storylines. Tisha Campbell is a hoot as Michael’s business partner, Suzanne. However, she’s less interesting around Harris than in her own subplot about her adult son Kai expressing a desire to finally get to know his biological father (something she doesn’t even know; it’s a bit of a “Mamma Mia” situation. !”). While the show takes a bit too many hits at Ashmankas weight for my liking, Stanley’s desperation to be seen and loved at his age feels like a more compelling version of the show we’re watching if we’re focused on him: a man who bucks the twink-centric body norms of gay love life and realistically suffers from it.
Between those moments, “Uncoupled” is a little too cloying and cheesy in its sitcom beats to land. The dialogue is light and tongue-in-cheek, but relies too heavily on scathing puns like “I put ‘mono’ in monogamy” and sneering jokes about men with breast cancer. And its harrowing moments fall flat because the stakes around its wealthy New York protagonists feel so light (especially given the all-too-predictable cliffhanger that ends that first season).
The best thing I can say about “Uncoupled” is that between its candid discussions of PrEP, the logistics of anal sex, and the explicit displays of vintage gay art a la Tom of Finland, Star is at least enjoying the lack Netflix primetime. lubricity. But it seems too small, too late, and unlikely to open the eyes of anyone other than the urban group it is aimed at: six-figure gays with summer homes in the Hamptons.
Projected full season for review.
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Neil Patrick Harris Gets His Gay Groove Back in Darren Star’s Frothy Sitcom Uncoupled | TV/Streaming | Pretty Reel