Amy Adams becomes a princess again in ‘Disenchanted’ 15 years later

Amy Adams in “Disenchanted”, the Disney+ streaming proposal.

The renowned actress Amy Adams Steps back into the shoes of dreamy Princess Giselle for the musical comedy “disenchanted”sequel to the 2007 film that brought her to fame as an animated fantasy maiden who must learn to live in the real New York, will arrive this Friday on the Disney+ streaming platform with a proposal that takes up the adventures of the protagonist for 15 years later, when “he is no longer a fish out of water in the world.”

This is how the film’s director, director and choreographer defined it in dialogue with Télam adam shankman -also known for titles like “Hairspray” (2007) and “La era del rock” (2012)-, who assured that he instantly knew where he wanted to take the project when he got his hands on it.

It was quite an opportunity: “Enchanted”, the original by kevin limahad been a true success both critically and at the box office, earning Disney audience favorite status, and garnered three Saturn Awards along with five Golden Globe and Oscar nominations, which highlighted the composer’s work. Allan Menken and the lyricist stephen schwartz, who had had great steps for “Pocahontas” (1995) and “The Hunchback of Notre Dame” (1996).

In that story, Giselle was a young girl who is exiled from her animated world of Andalasia by Queen Narissa (Susan Sarandon), who decides to get rid of her when her position on the throne is threatened by her crush and impending marriage to Prince Edward (James Marden).

The curse leads her to transform into a flesh and blood character in New York, where her archetypal fairy tale traits -singing, talking to animals and seeing life through roses- clashes squarely with a society that doesn’t understand, but in which she finds her true love in Robert (Patrick Dempsey), a lawyer and single father.

Now, in “Disenchanted,” Giselle and Robert are parents to a little baby girl and the now-adolescent Morgan (Gabriella Baldacchino) moving from the big city to the quiet suburban community of Monroeville, controlled by the unsympathetic Malvina Monroe (Maya Rudolph). .

However, the protagonist’s illusions will soon be in trouble when she notices that her family relationships are changing and don’t look so much like what she imagined, and in the midst of great frustration, she tries to use Andalasa’s magic to solve all her problems. and fears.

Of course, everything goes wrong when she turns the place into a fairy tale in which she plunges herself into the role of evil stepmother and ends up putting her family at risk, so she must find a way to reverse the fact and discover your own version of “happily ever after”.

Shortly after its launch, Shankman spoke with this agency about the creation of this sequel that maintains its tone of homage and parody of the Disney classics and that once again has Marsden and Idina Menzel in its cast along with Yvette Nicole Brown, Jayma Mays, Kolton Stewart and Oscar Nunez.

Télam: Did you come to the project with any particular idea that you knew you wanted to use?

Adam Shankman: I joined six years ago, it was during a meeting about a bunch of different projects, and this one really appealed to me, I knew what I wanted to do with it. The producers went on board with that vision that I had, so we built on it from there. The main ideas they had were about how Giselle had developed, how she accidentally got herself into the role of stepmother, something wrong in her mind; and on the other hand the question of her not being a fish out of water anymore in the real world, and how to make everyone else be. And also exploring the idea of ​​”happily ever after,” of what that really looks like. That was a focus for me.

T: Like “Enchanted”, this film plays with the self-parody of the Disney world. What is it like to have such a catalog available?

AS: It’s like a buffet (laughs). Somehow I didn’t even ask for permission, I just kept adding more and more into the movie, if I thought of something I would add it. There’s a ton of stuff you hardly see, I think people could look at it for years and not quite identify it all. It was a lot of fun, and it also created a more interesting texture in telling this story. I didn’t find it limiting or restrictive at all, because I already knew what my space was and I was able to create my own rules within it.

T: You were able to work with the Alan Menken-Stephen Schwartz duo, what was that creative process like?

AS: It was one of the greatest experiences of my life, one that I will never forget. They’re two of my heroes, I idolize them, so being in a situation where I could order them around was amazing (laughs). Being able to sit down and chat with them about the process, come up with musical solutions to different problems, express so much through the characters… They are two masters of their art. It sounds trite, but it’s the best thing that could have happened to me, really.

T: What challenges are there in making a film both for audiences who still remember the original and for new audiences?

AS: I think in this particular case, it was the fact that the things that they did the first time, like Giselle being like a newborn baby in the world, was no longer true for the character. And also that it couldn’t be a romantic comedy, but still be a comedy, with the characters growing and evolving, and still make sure it felt like the first. Balancing all of that against the fact that the first one already did it, that was the big challenge.

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Amy Adams becomes a princess again in ‘Disenchanted’ 15 years later