Adam Driver has become one of the most demanded and respected actors of recent years. A former Marine who served for two years and eight months, Driver was medically discharged with the rank of Lance Corporal after fracturing his sternum while mountain biking just before his Iraq expedition. He then attended Julliard and graduated in 2009, and began appearing in plays on and off Broadway. His breakout role came in 2012 when he was cast in the hit HBO series Girls. Since then Driver has worked with some of the biggest directors in the industry like Spike Lee, Ridley Scott, Martin Scorsese, The Coen Brothers, Steven Soderbergh, Jim Jarmusch and Clint Eastwood.
Driver’s most popular role is undoubtedly Kylo Ren in the Star Wars sequel trilogy, which catapulted the actor to international superstardom. He earned two Oscar nominations, one for Best Supporting Actor in BlackKklansman in 2018, then the following year for Best Actor in Marriage Story in 2019. He recently gained notice for his role in Annette in 2021 and in Noah Baumbach’s White Noise, which is due out on Netflix in 2022 and was cast in Francis Ford Coppola’s passion project Megalopolis. The actor is so popular that the popular HBO news series Last Week Tonight With John Oliver made a season-long joke about the main host expressing his attraction to the actor (with Driver of course appearing after numerous calls ).
Driver has had an amazing career, especially considering it’s really only been ten years, even though he’s done more work than most actors in a lifetime. However, he brings a shine to even his smaller roles and less acclaimed or popular films. These are some of Adam Driver’s most underrated performances that shouldn’t be slept on.
4 Inside Llewelyn Davis
Before Driver played Kylo Ren torturing Oscar Isaac’s Poe Dameron for information about the Resistance, the two co-starred in The Coen Brothers’ Inside Llewelyn Davis where Isaac plays a folk singer trying to break into the music scene in the 1960s. Driver appears in a scene as Al Cody and records the song “Please Mr. Kennedy” with the characters of Isaac and Justin Timberlake.
Driver makes the most of his single scene as it’s both a showcase for the actor’s comedic ability with a humorous accent and exaggerated facial expressions that impact his inflection of the song, making it both catchy and humorous. A great actor only needs one scene to make an impression, and in that scene, Driver made it known that he was a talent to watch.
3 The F-word (what if)
Due to Driver’s tacky appearance and 6-foot-2 height, he’s often cast in intense dramatic roles or characters with a sinister side, so it’s nice to see Driver show a different side in the romantic comedy. from 2013’s The F Word (released in some countries as What If) where he plays Allan, the best friend of Daniel Radcliffe’s character, Wallace, and cousin of Zoe Kazan’s Chantry.
Driver’s role is that of the wacky best friend in many romantic comedies, and what makes it work is that Driver is far from the typical choice for this archetype, but this contrast makes the performance stand out. The driver’s low voice swaying with thunderous screams becomes comedic elements, and his playing the role of a high-libido friend in an over-the-top relationship with Mackenzie Davis’ Nicole is a prime example of the impact that can having a going against type. This movie shows that Driver has the kind of range that, if he wanted to, could easily be a comedic actor or a new rom-com frontman.
While the last two roles were more comedic, Silence is on the opposite end of the spectrum and is an entirely dramatic role in a devastating film. Silence was a passion project of director Martin Scorsese and tells the story of two 17th-century Jesuit priests, Sebastião Rodrigues (Andrew Garfield) and Francisco Garupe (Driver), who travel from Portugal to Edo-era Japan to reunite with their mentor. disappeared Cristóvão Ferreira ( Liam Neeson) and spread Catholicism. Garfield is the film’s lead, but Driver is an important supporting character, in many ways acting as the more business-like of the duo.
Driver is only in the first half of the movie, and his character comes to a tragic end, but the final scene he gets, shot entirely remotely as the viewer sees it from Garfield’s POV, exemplifies Driver’s talents in as a performer who even without dialogue and close-ups he can project so much with his body to get every beat going. Silence is filled with powerful performances from Garfield, Neeson, Tadanobu Asano, Shinya Tsukamoto, and Issey Ogata, and Driver not only holds his own, but stands out in an ensemble cast of some of the finest actors working today.
1 The Last Duel
20th century workshops
The Last Duel has one of the toughest roles for any actor to play. Directed by Ridley Scott, the film tells the story of a duel between old friends Jean de Carrouges (Matt Damon) and Jacques Le Gris (Adam Driver) after Carrouges’ wife Marguerite (Jodie Comer) accuses Le Gris of rape, and the story is told from the point of view of the three characters, highlighting the contrasting points of view of the situation, but with that of Marguerite rightly treated as the true narrative. Driver has a tough role to balance, as he has to play the same version of a character from three different angles, offering slight variations while making sure they’re believable expansions.
His act of sexual violence also makes him the villain of the story and should show the two different perspectives of the narrative that present his crime and how he justifies it. The role was originally written for Ben Affleck, as he would star alongside his friend Matt Damon, but Affleck wisely takes on the role of Count Pierre d’Alençon, fitting his character. Driver can draw on the mischievous good looks that won him legions of fans as Kylo Ren, initially creating a disarming quality for him as a nice contrast to Damon’s rude knight back in the day. However, the film uses him to pull the rug out from under the audience, with Driver using his height, intensity and low voice to ultimately create a terrifying character.
Much like The Last Duel itself, which was a box office disappointment grossing $30 million worldwide against a budget of $100 million and released at the start of the COVID-19 pandemic, Driver’s performance has been overlooked by many, but it should not be forgotten. . It certainly had an impact on director Ridley Scott as he cast him in his next film, House of Gucci, which due to the COVID-19 pandemic was also delayed and released the following month after The Last Duel. .
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Adam Driver’s Most Underrated Movies, Ranked | Pretty Reel